| War Photographer Documents Cambodia Peace
July 22, 2004
Australian Broadcasting Corporation
Tim Page immortalised some of the most potent
images of the Vietnam and Cambodian wars.
The most celebrated photographer to survive the
conflict, he has inspired books, documentaries and even a character
in the classic film.
Tim Page recently returned to Cambodia but this
time he is documenting a mission of peace, a project to turn decommissioned
weapons into art.
“I died in Vietnam, I was blown up by a
landmine in 1969 and lost 200cc of my brain and was paralysed,”
Tim said.
“You're reminded of your own fragility,
you're reminded of your own pains, your own traumas, that stuff
which I think only people who actually have been in war really understand,
the insanity, the madness.”
Tim Page is the legendary photographer who rode
to war on his motorbike.
A maverick, often on the front line, his potent
images of the Cambodian and Vietnam conflicts influenced the course
of history.
Thirty-five years later, he is back in Cambodia
to record the aftermath of decades of fighting, and the disturbing
images of peace are almost as confronting as the horror of war.
“Every place you go in Cambodia, you see
people with no legs, no arms, in the end you stop going, oh, there's
a picture,” Tim said.
“To go back and still see that there's more
victims produced every day by these heinous mines and unexploded
ordnance, I find myself completely drained, I find myself in tears.”
An estimated 6 million landmines still litter
the countryside.
On average, 30 people are injured or killed every
week by mines in Cambodia.
“Anti-personnel mine is the most effective
weapon on the planet because it denies land,” Tim said.
“They're a terror weapon.”
“The Cambodians unfortunately used landmines
like you and I would close a gate to a paddock to stop things getting
out.”
Now, Tim is documenting a small project that seeks
to highlight the nation's plight to the outside world.
The Peace of Art program teaches students from
the Royal University of Fine Art in Phnom Penh how to turn decommissioned
weapons into works of art.
And there is no shortage of material.
“The front end of the project is very important
because you've got this recovery of weapons in a country, I suspect,
there was probably at least a weapon for every man, woman and child
in that country by the end of the conflict,” Tim said.
At the moment they have 866 AK-47s and hope to
get more in the future.
A blacksmith and sculptor have been teaching the
students how to weld the weapons together.
“If you're a bit of an archaeologist with
weaponry, you kind of start to say, there's a bit of mortar and
there's a bit of a base plate of a machine gun or something,”
Tim said.
The students' inspiration comes from the beauty
of nature and their surroundings.
“I took the metal from AK-47s and they were
ideal to shape into sections that looked like the shell and legs
of a crab,” said one man working on the project.
Two Griffith University photojournalism students
have been helping photograph the work.
These photographs will form an exhibition that
will be on show in Australia later this year.
“I hope my photos can bring to the project
awareness that people know what's going on, and help promote Cambodian
artists,” photojournalism student Adam Ferguson said.
Several of the sculptures have already been sold
and the money will fund training for a new group of students.
The project could be a model for similar work
in Bosnia, Somalia and Afghanistan.
“In the Solomons, I was there for a week
and we chopped up 3,500 weapons,”Tim said.
Tim has spent much of his life documenting war
and he hopes his latest work recording images of peace will speak
just as loudly.
“By going back to Vietnam, by going back
to Laos, by going back to Cambodia, I can affect a little bit of
change,” he said.
“It's not boom-boom, it's not sexy, it's
not shoot 'em ups, it's not rock 'n roll, it's peace, and it's so
hard to sell peace.”
The exhibition opens in Brisbane in September,
with organisers hoping to take the show to other capital cities
later in the year.
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